Tuesday, December 26, 2006

The Art of Decorating Cookies and Hospitality


Some of our Sunday school youth decorated cookies one day, sugar cookies with white icing, that we created snowman faces on, with assorted candies strategically placed. What a range of expressions can be conveyed on a cookie face with a simple piece of strawberry licorice for a mouth! The children had fun eating the candy and getting some of the candy on the cookies as well. The cookies were given to the shut ins when our church went caroling during the Christmas season. There were plenty of these wonderful confections left over and put in the freezer for after church on Sunday.
But, aah, the after service refreshment break.....
Romans 12:10-13 " Be devoted to one another in brotherly love; give preference to one another in honor , not lagging behind in diligence, fervent in spirit, serving the Lord, rejoicing in hope, persevering in tribulation, devoted to prayer, contributing to the needs of the saints, practicing hospitality." In practising hospitality we give preference to one another in love, modeling this so our children can see it in action and learn how it is to be done. We need to be mindful of children to see the teachable moment when children are trying to get to the refreshment table at the end of the worship service, and in doing so, are pushing slower elderly people aside. Adults should be ready to assist children in the selection of the appropriate amount of refreshments and in the appropriate manner. I wonder if there was this much ruckus at the feeding of the 5,000 with the loaves and fishes as there is with the social time at our churches some Sunday's? In this time of fast food we need to be proactive about teaching our children the art of hospitality.

Wednesday, November 29, 2006

SNOWFLAKES


We are all unique created by God, bearing His divine image, each in a special way. God tells the prophet Jeremiah in Jer. 1:5 " Before I formed you in the womb I knew you, and before you were born I consecrated you;" We are all created for a special purpose, maybe not to be a prophet like Jeremiah but we all have a purpose, to glorify God through all the special gifts and graces he has specifically endowed each and every one of us with. Like snowflakes we are all unique. That is why I like to say some of my best friends are flakes. Speaking of flakes, ice, cold, snow... God asks Job, Job 38: 29, " From whose womb did the ice come forth, and who has given birth to the frost of heaven? The waters become hard like stone, and the face of the deep is frozen." Tis the season as we begin Advent to enter the coldest months of the year in our region. A lot of time to ponder the words of God to Job and to check out the link about "Snowflake Bentley", a Vermont farmer who pioneered microphotography and created the first photographs of snowflakes in his barnyard. Here is an excerpt: Wilson A. Bentley The Snowflake Man

"Under the microscope, I found that snowflakes were miracles of beauty; and it seemed a shame that this beauty should not be seen and appreciated by others. Every crystal was a masterpiece of design and no one design was ever repeated., When a snowflake melted, that design was forever lost. Just that much beauty was gone, without leaving any record behind." Wilson "Snowflake" Bentley 1925 www.snowflakebentley.com
Now for some art fun go to this link and you can create your own snowflake on line by manipulating your computer mouse! browser and voila' Have fun! www.zefrank.com/snowflake/

Saturday, November 25, 2006

Iron sharpens iron


Scripture tells us that "Iron sharpens iron, and one man sharpens another..." Words from Solomon in Proverbs 27:17. So what is my point and what does this have to do with art? When I am cutting something either wood, plaster, stone, cement, clay whatever the material, I need a tool that is harder than the material I am cutting. I would not use a plastic knife to whittle a piece of wood for instance. I would use a steel knife. And I would use an appropriate material to sharpen my blade. The material I would use would be as hard or harder than my steel blade and would sharpen it. In the same manner, if I do not regularly exchange thoughts and ideas with others of similar maturity in Christian fellowship what I hear God speaking in my life and listen to what they hear God speaking in theirs I will begin to grow dull. As Christians we were meant to function in community with one another. We were told to bear one another's burdens and pray for one another. When you put on the whole armor or God, (Ephesians 6:13-18)did you ever notice there is not armor mentioned for your backside? That is because you are supposed to be covered by your brothers and sister in Christ who are to be watching your back in prayer and admonition.

Tuesday, November 21, 2006

A Million Smocks


A Million Smocks

Jesus said, "when you do it unto the least of these my bretheren you do it unto me"....this picture of Rachel bringing art to the children stranded in the New Orleans Astrodome and her story inspired me. This is a different way of reaching out in compassion through art....art in the wake of hurricane Katrina's chaos in Rachel Omenson's own words... Be inspired to check out her organization "A Million Smocks" at their web site: http://www.amillionsmocks.org

Sunday, November 19, 2006

art as prayer


It has been a while since I have posted. I came across a blog as I searching for information on art as a form of prayer and wanted to share a note of accptance I received from the originator of the idea. She is Anneli Anderson and lives on the other side of the USA from I. The painting featured here is an example of her work. Sometimes she paints and draws during the worship at her church with the sanction of her church body, interpreting the worship or the sermon visually as the Holy Spirit leads. Her website is interesting and her art work is edifying. If you have a moment take a look at what she is doing. It never occured to me to respond to worship as it was occuring with visual art, but why not? Is there any place Biblically where it says, "thou shalt not illustrate thy pastors sermon" or respond in paint and color to the beauty of the worship music? King David danced so enthusiastically in praise and adoration to the Lord that he danced his clothing off. He was literally naked before God and man as he danced in his spiritual reverie. For me producing art is a form of spiritual nakedness. I often feel ashamed to let people watch me work or embarrased and self conscious if my work is out there in the public eye. This is an area of my life that is a "work in progress with God". One day, while working on a drawing during a retreat on art as prayer, I head a still small voice say, " Who told you you were naked?" That was when I realized the shame I often experienced that had kept me so often from doing my art work was not of the Holy Spirit.I had then a mental picture of the garden of Eden and the serpent telling Adam and Eve, "Hey guess what? You are naked!" And then Adam and Eve run off to hide. All good and perfect gifts come from above, from our Abba Father. Some of the best gifts are being able to share in His creativity be it art, music, drama, fine craftsmanship, literature.....and not be ashamed.
 Anneli Anderson writes: " For me it is one of the most exciting things, that is to partner with God in the creative process!"  You can view Anneli's web site by clicking here: www.studioanneli.com . One site that comes to mind and always inspires me about art and the divine (but not necessarily on the subject of art and prayer) is the Episcopal Church and Visual Arts site:
http://www.ecva.org/contents.htm
There's some amazing work on there...Blessings all.

Monday, September 18, 2006

Washington National Cathedral



When I was a child I lived in the Washington D.C. area and had the opportunity to see this building under construction.  It is now completed and is an impressive and authentic piece of gothic style architecture on American soil.  You don't have to fly to Europe to appreciate the grandeur and the awe inspiring arches and flying buttresses of this type of structure built for the glory of God.  It is located in the northwest corner of Washington on Mt. St. Albans.  Don't miss it next time you are there.  The web site has a virtual tour.  During the times the actual cathedrals were built , the dark ages, people were so superstitious that they thought that wearing pointed toed shoes protected them from evil among other crazy ideas.  In Matthew's Gospel, Pilate asks Jesus, what is truth? Then as now, the truth still exists to set people free.  Pilate really wasn't interested in the answer how many of us are?

Tuesday, August 29, 2006

Carole Werder, visionary female artist






 CIVA  http:www.civa.org/

 CIVA: Christians In the Visual Arts. Blessings to you all as you persue the arts for the Glory of God.
Christians In The Visual Arts:
Friends of mine, Carole and her husband Bob, belong to this organization and have attended some of their workshops in New England, giving these experiences highly favorable reviews. The web site has good information on it and would be worthy of consideration if you are interested in the visual arts and the sacred. I have copied some of the information from the webiste below to give you an idea of what you may find there.

The picture above is entitled "Ella Recycles" by Carole Werder.   It is life size.  Ella has passed on now but her memory is preserved in this lifesize cutout of her as the recycling angel.  Carole and I were roommates and art majors in college back in the stone age.  Bob, Carol and I used to stay up all night painting in the studio of the old Loveland Hall on the campus of Edinboro University of PA.  We all came to the realization that there is no other God but Yahweh about the same time.  Carole came to faith first, and helped lead me into faith and then we prayed for Bob.  Bob is married to Carole and teaching high school art, Carole is a full time artist and does commissions and has been recognized nationally and had several shows in prestigious galleries.  I was a bridesmaid in their wedding, Yay! And after all these years we are still dear friends. Carole was a stay at home mom until God raising her children and had put her painting aside.  God called her to begin again and so she did, getting her MFA in painting and going from there.  She was worried that after a period of time not painting that she would would have difficulty getting back at it, but that was not to be the case.  God has truly blessed the work of her hands.

CIVA biennial conferences address issues of contemporary relevance to practicing artists, educators, clergy, and students. A sampling of themes from the past 16 years only hints at the discussions fueled by CIVA programs:
. . The Function of Criticism
. . The Narrative in Visual Art
. . Sacredspace/Publicspace
. . Past and Present
A distinguished roster of keynote speakers who have led CIVA through these issues includes Robert Hughes, Hilton Kramer, Betty Edwards, Chaim Potok, and Suzi Gablik. Among the Christian scholars who have addressed CIVA are Nicholas Woltersdorff, Jane Dillenberger, Os Guinness, and Anthony Ugolnik. The dialogue which occurs between conference speakers and conference participants exposes both parties to a wealth of new ideas and perspectives.
Lectures, seminars, workshops and worship combined with films, field trips and exhibitions make for a lively event. Conferees bring slides and artwork for discussion, critique, and exhibition. The quality and range of art, complemented by varied programming, stimulating dialogue, and the sincere expression of Christian faith make the CIVA conference a truly unique and exceptional experience.

© 2006 Christians in the Visual Arts. All Rights Reserved.
255 Grapevine Road . Wenham, MA 01984-1813
(978) 867-4124 . office@civa.org

Thursday, August 10, 2006

Christ's monograms, Chrismon's




A Chrismon, is a medieval Latin word meaning a symbol of Christ or Christianity, or a "Christ-Monogram".
They are symbols taken from Christian history that reveal the nature and character of Jesus.


The concept of Chrismons as ornaments originated from Mrs. Frances Spencer, who began making Christmas decorations from a variety of materials and left-over Christmas paper and decorations in the late 1940s.  Since she was accomplished in crafting ornaments, her church, Ascension Lutheran Church in Danville, Virginia, asked her to decorate the church’s Christmas tree in 1957. She adapted traditional designs and symbols into designs using the colors white, gold and silver that were symbols about Jesus Christ, and the meaning of Christmas. This unique Christmas tradition now has been adapted in various forms by many churches and denominations across the country as a way to celebrate the true meaning of Christmas.

Throughout the creation and development of Chrismons, Mrs. Spencer never personally profited monetarily. The ornaments have been an inspiration to Christians all over the world, and that was the only compensation that Mrs. Spencer ever desired. Mrs. Spencer passed away in Signal Mountain, Tennessee, on April 4th 1990 at the age of Seventy-Two.

To preserve the spirit of Chrismons they should only be made by hand and given as gifts, the predominant colors being the liturgical colors of Christmas, white (or silver) and gold.  Often, a church will have a Chrismon Tree in which members of the congregation make the ornaments for the tree.  In some churches, the idea of Chrismons is combined with the Jesse Tree, and becomes a project for the children of the church during the entire season of Advent. My mother in law's church in Bradford, Hill Memorial United Methodist, has a beautiful Christmon tree that decorates their sanctuary every Christmas holiday season. They were lovingly stitched in plastic canvas by a group of women who met regularily, working, until the project was finished. The tree is beautiful and meaningful.

I don't feel the concept of a Chrismon tree should be limited to the sanctuary of a church. Shouldn't our homes be sanctuaries as well? A televison commercial for a credit card company asks "What's in your wallet?" We should be asking ourselves, what's in our homes, does it reflect God's Glory?

Check out this link for more information about Chrismon's: www.chrismon.org/site/chrismon.htm http://www.crivoice.org/symbols/chrismon.html

Monday, August 07, 2006

garden stones, lively stones as the body of Christ 1Peter 2:5

This past Sunday at the Franklin Center United Methodist Church in Edinboro, Pennsylvania, we made garden stones after the service as a church community. When you think of art as prayer, this activity is a "hands on" illustration of how the body of Christ as the apostle Peter writes in 1 Peter 2: 4-5 can be literally fit together as lively stones. The scripture reference follows: "4 And coming to Him as to a living stone which has been rejected by men, but is choice and precious in the sight of God, 5 you also, as living stones, are being built up as a spiritual house for a holy priesthood, to offer up spiritual sacrifices acceptable to God through Jesus Christ." NAS

The stones will be "revealed" next Sunday after church. We used a combination of the instructions you will find at the end of this post (and their web addresses are included) plus cardboard box forms for molds so that we could all do it at the same time. Broken jewellry, ceramic tile, stain glass and glass globs were some of the things we used to decorate our individual stones as we sought to develop a Christ monogram, a symbol of what Christ meant to each one of us personally. I used a pressed glass fish and some broken stain glass to create a "fisher of men" motif for my own. One man mad a circle of glass globs with stain glass "spokes" representative of the fund raising, charity bike races he participates in and reaches out to others with. Our lay speaker made a stain glass rainbow representing her involvement in the Kononia movement of Erie County, Pa. There were beautiful, colorful crosses, a memorial to a loved one using broken jewellry and a collage design of Christian symbols using various embedded elements such as book marks and buttons. We all had an enjoyable time and no one got messy, except the two guys outside who were mixing and pouring the cement. We used portland cement mix with sand (a ready mix) and discovered we could get seven 9 inch by 9 inch stones poured with one bag of concrete. The cement was mixed in a wheelbarrel. The garden stones, our lively stones, will be set in the ground near our parking lot, connecting to our sidewalk, creating a lovely path to our sanctuary. I copied and pasted the directions from two web sites for your convenience if you are interested in learning how to do this. The web addresses I found the instructions on are posted above the directions below:

http://familycrafts.about.com/gi/dynamic/offsite.htm?zi=1/XJ&sdn=familycrafts&zu=http%3A%2F%2Fwww.magma.ca%2F%7Erobicho%2Frhubarb.htm

MATERIALS:
- rubber gloves
- heavy plastic sheeting
- leaves
- pre-mix concrete - One standard-size bag will make three of the leaves shown here, which are about 45 centimetres square and eight centimetres thick;
- mortor or cement colourant, if you want a colour other than the light grey that pre-mix concrete produces (Lee Valley Tools has this stuff as well as Michael's Craft Store)
- Chicken wire or one-centimetre-square wire mesh
- wire cutters.

METHOD
1. To make the stepping stones, choose an area that will remain undisturbed for several days. Any level surface - a driveway, concrete patio, bare patch of soil or even the grass - will work.

2. Cut a peice of plastic sheeting at least 15 centimetres larger all around than the leaf (or another desired shape), and place it on the ground. Put the leaf in the centre of the plastic, vein-side up (Photo 1).

3. Mix the concrete to a stiff consistency, following package instructions. With gloved hands or a shovel, move concrete onto the leaf, spreading it almost to the edge of the leaf to a thickness of approximately 2.5 to 4 centimetres; press firmly to eliminate air bubbles (Photo 2). If you're using a small leaf or several leaves to create an imprint only, spread the concrete to form the shape you want.

4. To ensure strength and durability, place chicken wire on the concrete to within five centimetres of the edge, overlapping pieces if necessary. Shovel concrete on top of the chicken wire (Photo 3), again spreading to a thickness of about 2.5 to 4 centimetres and pressing firmly to eliminate air bubbles.

5. Gently lift the plastic up around the design (Photo 4), smooth edges with gloved hands or a trowel to ensure an even look, and place earth or gravel up around the form to support it while it cures.

6. Cover with a second piece of plastic to keep the concrete from drying out. Allow to cure for at least 48 hours, then lift the stepping stone from the plastic (the plastic peels away easily) and turn it over to see the walking surface.

7. Remove small pieces of vein or leaf with a hose turned to jet spray. If you've made the stepping stone in hot weather, much of the leaf will have already decomposed. You can place the stones in the garden immediately, but avoid stepping on them until the concrete has completely cured - curing time depends on the type of concrete mix used, but it usually takes five to seven days. Spray with water frequently during the curing period. Make sure the stones are set firmly in the ground and they won't move when walked on.


http://familycrafts.about.com/cs/steppingstones/a/040201a.htm
 
Make Garden Stepping Stones
From Sherri Osborn,
Your Guide to Family Crafts.

Page 1: Introduction
Home-made stepping stones are a great way to personalize your garden, walkway, or anywhere! They make great gifts and are also great keepsakes if they are made using children's handprints or footprints.

My kids and I had a lot of fun experimenting with our stepping stones. We made one with a handprint, one with our dog's paw prints, one with flattened marbles/gems, one with marbles, and we also used patio paint. You can get so creative while making these we can hardly wait to try more.

I ran across garden stepping stone kits at a nearby craft store for around $20.00 (this makes one stepping stone). I decided to NOT use a kit because it would have been too expensive since I wanted to make more than 1 stone. Instead, I ran to a few different stores to gather the items I felt I needed; believe it or not, the supplies to make ONE of my stepping stones ended up costing me about $3.00!

Let me tell you what I used and help you decide what you want to use...
 
Page 2: Gathering Supplies
As I said before, the cost to make one stone with the supplies I bought was about $3.00, which is great if you compare it to the $15.00 - $20.00 a garden stepping stone kit costs.

The main supplies you need to make a stepping stone is a mold, cement, and items to decorate or embellish it. You should also always use protective eyewear and gloves when working with concrete as it can burn. If any gets on bare skin, wash immediately with warm, soapy water.

Page 3: Step-By-Step Directions
Deciding what design to make is the hardest part of making these stepping stones. However, you need to do this before you start so you know what supplies to gather.

Gather all your supplies and then you are ready to begin! Follow these simple steps and also refer to the suggestions on the supply page and hints and tips pages.

1 The first thing you should do is to protect your work surface and yourself. Lay down some newspaper, plastic sheeting, an old tablecloth, etc. Whether permitting, you can make these outside! Wear eye protection and rubber gloves... An old long sleeve shirt and sweatpants would also be a great idea.

2 Set your mold on your work surface. If you are using a special stepping stone mold follow any special directions if any that came with it.

I used clear, plastic planter saucers and did nothing to prepare them and they worked perfect! If you are brave enough to try a cake pan or other household item, you should try coating them with a liberal layer of cooking spray or petroleum jelly.

3 Now, you are ready to mix up the concrete. Follow the manufacturers directions on the bag of concrete you are using. I used a bag of Quikrete, which really had no specific directions. I discovered that a mixture of 5 parts concrete to 1 part water worked well. Your mixture will vary depending on what kind of concrete you use, but the wet mixture should have the consistency of soft cookie dough.

4 Once your concrete is mixed, you can start spooning it into the mold. Fill the mold about half full and smooth it down. Lay your cut piece of screening or hardware cloth (as explained on the supplies page) into the mold and then finish scooping the cement into the mold until full.

5 Gently tap around the outside of your mold to help remove any air bubbles and also to help even out the top. Now leave your stepping stone alone to set up for 30 to 60 minutes before you add any embellishments or decorations - this is more important if you are making handprints or other prints in the cement.

6 Once the cement has been given some time to set up, you can start decorating it. Use the decorating/embellishment ideas listed on the supplies page or think of your own. If you make a mistake, you can simply remove the items, flatten out the top with the side of a popsicle stick or spoon, tap the sides to smooth, and start over again!

7 Your stepping stone must now sit for 2 - 3 days without being disturbed - do not move it. Once it is dry, you can gently pop it out of the mold. Voila!

8 Now, you can finish decorating it if you are planning on doing any painting. You can seal the top of your stepping stone with a clear acrylic sealer if you do use patio paints.

9 I would suggest letting your stepping stone sit for another week before putting it outside. When you place the stones outside they should not be raised above ground more than about 1/2-inch so people don't trip on them and also so the stone doesn't break.

One more thing... Before you make your own garden stepping stones, you might want to read these tips and helpful hints...

Page 4: Tips and Helpful Hints
Here are some tips and hints that can help you while you make your stepping stones.

Some of these tips have been said already, but they are worth repeating. Read on and have fun making your stepping stones!

• If you are using cement dye, remember that the wet product will always be a shade or two darker that your finished product.

• Your stepping stones should be at least 2 inches thick.

• For best results, let your stepping stones set in the mold for 3 days. Allow the stones to cure for a week before placing them outside or stepping on them.

• When gathering items for embellishing your stepping stones, steer clear of wooden items because they don't stick into the concrete very well.

• Get creative with your embellishments! Try seashells, marbles, beach glass, mosaic tiles, buttons, small toys, and mementos of any sort.

• Make prints in the cement after it has set for between 30 minutes to an hour. Besides handprints and paw prints:

Try making prints with other items such as dog biscuits, leaves, cookie cutters, etc.

• If you want to try making stepping stones with pans or other household items, buy them at garage sales or thrift shops.

• Your cement should be the consistency of cookie dough. You want to have to scoop it into your mold, not pour it.

• When you place the stones in your garden they should not be raised above ground more than about 1/2-inch for risk of people tripping and falling and also so the stone doesn't break.

• Once the cement is poured into the mold, do not move it! This can cause cracking (I found this out the hard way!).

• If you make a mistake, you can simply remove the items, flatten out the top with the side of a popsicle stick or spoon, tap the sides to smooth, and start over again!

I hope you find this information helpful in understanding how to construct garden stones. Adults members of our church as well as senior and junior high youth will set the completed stones in the new pathway and then plant the border with perennials and bulbs. This walkway will not only be functional but beautiful as well. One member of the church, one stone, no pathway. All the members of the church; many stones, a pathway to a place of worship and holiness!

Wednesday, July 12, 2006

Using the visual arts as a way to facillitate prayer and meditation

:http://www.prayerwindows.com/art.html This is the web address for the Prayer Windows site that I came across in my wanderings around the web. It could be adapted using other visual imagrey or even photographs. This same idea could be used in the context of music only, taste or smell. The Master of the Universe created the five senses and some people can tap into their spirituality better when they use these elements to facillitate inspiration. Think of a song that has moved you or a smell that touched you, the inscense used in some churches, the Lord's Supper are all examples of using the senses in a sacremental way.

http://www.sonlight-christian-art.net/index.html My Uncle Earl sent me this link to a website that belongs to a physician who is a nationally known watercolor artist. He combines imagrey with biblical text to create thoughtful pieces with the translucent quality so typical of the medium. This man has obviously practiced the discipline of watercolor and allowed the grace of God to flow through his work.

Tuesday, July 11, 2006

The Museum of Psalms

THE MUSEUM OF PSALMS

I just came across a site that was selling intriguing art work called the Museum of Psalms. Here is the link:http://www.museumofpsalms.com/store/. The art work, contemporary and expressionistic is a collection of lithographs based on selected psalms. The artist has offered these prints for sale on this site. I know nothing about this artist or art work but thought the concept of illustration the Psalms in an expressionistic manner intriguing.

As an art student in the late 60's early 70's the attitude of the professors was that express yourself with shock and awe. Also, the bigger the better. I soon found out how impractical the size option was as most of the dimensions of the work I was required to do for class credit was so large, it didn't fit into my apartment let alone in the home of any family member I knew. The work was not of a subject that would exactly be rated "G" or "PG" if it was in the genre of film. My family, who was footing the bill for my education at the time, could not relate to or get a handle on this type of art. Later on as I began to teach school and eventually begin a family of my own, the former work of college days has slipped into the trash bin, slowly piece by piece. What is left, what endures of the early adult period of my life are what I would call, more classical pieces, not developed to please someone of the academic ilk but rather to please myself.

I went through a period of time when I would not do any more art work. I had been so influenced by my schooling that I decided that my work was not relevant enough to keep doing, that I was an impostor pretending to be an artist. It was at a retreat I attended that dealt with the subject of Art As Prayer that I began to "find my visual voice". We had been given an assignment to create a work based on a passage of scripture. I cannot remember the passage we were to meditate on, but I went back to the small room I was staying in for the retreat and spent time in prayer over the blank paper. After a while I heard a still small voice in my head saying, "Who told you you couldn't do art?" At the same time I had a mental picture in my mind's eye of the portion of the Sistine Ceiling painting by Michaelangelo where Adam and Eve are hiding because they realize they are naked. It struck me that to create art is to become naked. I was ashamed of my art and wouldn't create art because I was afraid of exposing my nakedness. I am creating art now, not as much as I would like because of my work and family schedule, but still I am doing it again!

Monday, July 10, 2006

Who, What is God?



WHO, WHAT IS GOD?

As a child, my family moved often because of my father's job in the fledgling computer industry. By the time I was in sixth grade, I had attended four elementary schools in three different states. It seemed that we moved every three years or so, taking us farther from family ties and having to restart relationships with friends and neighbors over and over again. Every time we moved, we would attend whatever protestant church was in walking distance. My father, had been raised Roman Catholic and mother's father was Mormon, her mother Presbyterian. They had pretty much decided they would compromise and attend a protestant church when they married to avoid major issues and disputes over which. Sometimes my father would take me to other places of worship, the synagogue and the mosque. As a very young child then, I wondered about the nature of God, who it was, was it a he or she and why there seemed to be so many ideas about what the relationship of man to God is. I do not pretend to have all the answers now, more than halfway through my life, but I have honestly inquired and asked the question with as open a heart and mind as possible. In Exodus 33:18-23 Moses is alone with the Lord and he asks, "Oh, let me behold Your Presence!' And He answered, " I will make all My Goodness pass before you, and I will proclaim before you the name Lord, and the grace that I grant and the compassion that I show. But," He said, " you cannot see My face, for man may not see Me and live." And the Lord said, " See, there is a place near Me. Station yourself on the rock and as my Presence passes by, I will put you in a cleft of the rock and shield you with My hand until I have passed by. Then I will take My hand away and you will see My back; but My face must not be seen." There is a song we sing sometimes, "Have you seen Jesus My Lord?". It goes on to say that He, the Divine presence, is in plain view when we look into the faces of one another, that that is when we have seen Him. God sculpted us in His image male and female, then He painted us all the colors of the rainbow. Gods face passes us daily in hundreds of faces if we open our eyes and see. "Have you seen Jesus my Lord? He's here in plain view, take a look open your eyes. He'll show life to you."